女巫 Le streghe (1967)

  • 导演: 卢奇诺·维斯康蒂 皮埃尔·保罗·帕索里尼 维托里奥·德·西卡 Franco Rossi 莫洛·鲍罗尼尼
  • 编剧: 莫洛·鲍罗尼尼 Fabio Carpi
  • 主演: 肖瓦娜·曼加诺 克林特·伊斯特伍德 安妮·吉拉尔多 弗朗西斯科·拉瓦尔 马西莫·吉洛提
  • 类型: 剧情 喜剧 爱情
  • 制片国家/地区: 意大利 法国
  • 语言: 意大利
  • 片长: Germany: 121 分钟,Spain: 120 分钟,USA: 105 分钟
  • 又名: The Witches
  • 上映日期: 1967-02-22
  • imdb网址: tt0061037
  • 女巫剧情简介
      "The Witch Burnt Alive"
      After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
      "Community Spirit"
      Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
      "The Earth Seen from the Moon"
      The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
      "The Sicilian"
      Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
      "A Night Like Any Other"
      Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

    标签:  意大利 维斯康蒂 Luchino_Visconti Pier_Paolo_Pasolini 帕索里尼 Vittorio_De_Sica 德·西卡 LuchinoVisconti
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    女巫评论、影评、观后感
    paradiso  2015-09-11
    制片人Dino大手笔捧老婆。24搞笑片不灵1维斯康蒂探讨明星的表里很文艺3帕索里尼的黑色幽默恶心兮兮5德西卡的寂寞主妇脑内剧场最可爱:万人迷老公被10年生活压力榨成了咸鱼偏偏还是伊斯特伍德这张一成不变的帅脸,见他如此卖蠢感觉极为超现实!
    klam  2013-02-27
    豆瓣添加的第3000部就给这个好了。。。
    雨  2015-10-09
    贝格的脸、伊斯特伍德的头、制片人的荷包硬邦邦;维斯康蒂和帕索里尼是地球的两极。。