泰爱斯 Thais (1917)

  • 导演: Anton Giulio Bragaglia
  • 主演: Mary Garden
  • 类型: 短片
  • 制片国家/地区: 意大利
  • 语言: silent
  • 片长: 35 分钟(18 fps) (2001 restoration)
  • 上映日期: 1917-10-04
  • imdb网址: tt0007439
  • 泰爱斯剧情简介
      "Futurism" was an avant-garde artistic movement, created in 1909 ( as you can see your grandfathers were long haired and dangerous youngsters for a while ) that demands a rejection of tradition and the past while exalting technical innovations, especially the mechanical ones, present and future. This avant-garde artistic movement ( literature and music genres) found great acceptance in Italy where many artists developed the Futurism postulates.
      Herr Anton Giulio Bragaglia was a notable Italian Futurist who began experimenting with photography and published an important manifesto as a theoretical basis for Futurist photography, "Fotodinamismo Futurista". In addition to his career as set designer Herr Bragaglia had a short but intense film career, "Thais" being his debut as a Futurist director.
      In any case "Thais" is a film that combines in a strange way classicism and the ( Futurist ) modernism, a paradox since we know that the Futurists were people who rejected tradition and the"Thais" story is a very conventional one. It tells of a "femme fatale" who toys with and uses her admirers for her capricious purposes with the expected tragic ending. Classicism can be seen too in the beautiful images from evocative landscapes sequences as the ferry at the river or Bianca's race to the abyss ( "Naturalism" reminiscences?... ) or Herr Charles Baudelaire's poems ( "Impressionism" reminiscences? ) Only at the end of the film do we see the "Futurist" influences in the highly stylized and geometrical décors in which our heroine suffers her particular punishment, a sequence in which Herr Bragaglia's talent as a set designer is put to good effect.
      For those reasons for this German Count "Thais" is a kind of interesting film catalogue of many artistic movements ( curious artistic duality ) strangely mixed, a display of the spirit of those innovative early years that grants the film an artistic and remarkable balance as a whole.

    标签:  意大利 1910s 超现实 短片 超現實 默片 经典 未来主义
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    泰爱斯评论、影评、观后感
    隐没。  2011-03-29
    未来主义电影。有关女人。据说还为此出了邮票。广为人知的是它的舞台背景,但是它的舞台背景并不是未来主义,很形象罢了。算一个代表作。另,它的出片日期是1916。
    Generalísimo  2015-08-28
    B. ''Futurism''. I is still me.
    Orpheus  2010-02-21
    看不懂字幕的情况下只能给这么低,上色上的一塌糊涂,连人脸都抹糊了,大量超现实舞台化的背景和表演,没怎么体现出电影的手段。