海滩上的女人 The Woman on the Beach (1947)

  • 导演: 让·雷诺阿
  • 编剧: Frank Davis 让·雷诺阿
  • 主演: 琼·贝内特 Robert Ryan 查尔斯·比克福德
  • 类型: 剧情 爱情 黑色电影
  • 制片国家/地区: 美国
  • 语言: 英语
  • 片长: 71 分钟
  • 又名: 海边的女人
  • 上映日期: 1947-06-02
  • imdb网址: tt0040000
  • 海滩上的女人剧情简介
      Woman on the Beach is a controversial film noir, an intense psychological drama about the world�s leading artist, recently blinded, who is obsessed with his condition and takes out his frustrations on his beautiful wife. A Coast Guard officer, recuperating from injuries suffered during the war, is drawn into their quiet conflict, and they become locked in an odd symbiotic relationship. This was the last American film by the French screen legend Jean Renoir. Critically panned when first released, the film later developed a cult following by many who consider it an existential masterpiece.
      
      A WWII Coast Guard veteran, Lt. Scott Burnett (Robert Ryan), is plagued by nightmares of his combat days. One day, he meets a woman, Peggy Butler (Joan Bennett), walking on a beach, picking up pieces of wood. Butler is married to a grumpy, blind painter, Ted Butler (Charles Bickford). Despite his affections for his fianc�e Eve (Nan Leslie), whose father is a boat builder, Scott falls in love with Peggy and soon breaks off the engagement. Peggy reveals that she blinded her husband years earlier by throwing a glass at him during an ugly spat, ruining his career and her own ambitions to be an upper-class socialite. Scott fears that Ted is suspicious that he is having an affair with Peggy and becomes so paranoid that he begins to believe that Ted is faking his blindness — and sets out to prove it. This was the fifth and final American film by the great French writer-director Jean Renoir.

    标签:  让·雷诺阿 美国 Jean_Renoir JeanRenoir 1940s 法国 黑色电影 1947
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    海滩上的女人评论、影评、观后感
    秦诺诺  2014-04-20
    影片的真正主角是那些画,那些画即是女主角的心魔也是画家的心魔。。。忽然想起那句话,比弗利山上的每户人家都希望在客厅挂上幅雷诺阿的画但是他们却不给他的儿子足够的胶片拍电影。。。
    stknight  2012-01-21
    让·雷诺阿导演的黑色电影。特吕弗的评价:《海滩上的女人》是部像火车的电影,是部关于性、肉体之爱、欲望,但却一个裸体镜头都没有的电影。……当一部电影使用对白如同使用对位音乐一样时,当它能让我们由此进入人物的内心思想时,没什么别的电影能比它更加纯粹,更代表电影本身。……
    小宏  2015-09-23
    缺少铺陈,很难进入人物的内心。欲望如翻滚的海浪夹带着泡沫。